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The Wine and Dine Festival together with other themed events in October showed the government what its ‘Night Vibes’ campaign is missing.
Marketing Hong Kong as an event-based tourism destination, as other cities in Asia have done, could help bring international headliners back to the city.
- Mayday’s second show rescheduled to May 9 after first performance was moved online amid heavy rainfall
- ‘A decoration ball at a concert venue … was reportedly on fire. Billowing plumes of smoke were seen,’ police say
A migrant from China to Hong Kong (Raymond Lam) winds up in the Kowloon Walled City, where he befriends mobsters, in Soi Cheang’s lavishly funded yet edgy film, a spectacle let down by its storytelling.
Starring Patra Au, Tai Bo and Leung Chung-hang, director Ray Yeung’s LGBTQ drama All Shall Be Well sees an elderly Hong Kong lesbian at risk of losing everything after her partner suddenly dies.
Hold You Tight and Lan Yu were daring films for their time. The first stars Chingmy Yau, then an actress in adults-only films, as a bored wife who has an affair, while the latter is a stylish gay drama.
Donna Ong’s documentary examines cinema and Hong Kong history from the 1950s onwards through the eyes of a titan of the cultural scene. Fascinating and packed with archive material, it is narrated by Law.
A look at Ekin Cheng’s journey from actor and Cantopop star to husband to actress Yoyo Mung – and the public romances that made him a tabloid magnet and drew public criticism.
Director Sam Wong has tried to pack too much into Suspect, and the result is an incoherent mess. Playing a detective with unusual powers, Nick Cheung endures some frankly stupid set pieces.
In 1998, Rush Hour shot Jackie Chan to international fame. But after making the film with Chris Tucker, Chan ultimately decided not to abandon Hong Kong, and continued to make films in both places.
As two Hong Kong films premiere at the 2024 Cannes Film Festival, we look back at the city’s cinema history at the event, including Wong Kar-wai’s many hits and Johnnie To’s successes in the 2000s.
Veteran Tony Leung takes best actor prize for his role as a flamboyant con-man in crime thriller The Goldfinger.
Viva Erotica (1996) and Vulgaria (2012) are two contrasting Category III satirical films that reveal a different side of Hong Kong’s once-famed, often crazy adult movie industry.
Martial arts film icon and the 2024 Hong Kong Film Awards’ Lifetime Achievement Award recipient Sammo Hung talks about his movies, stars like Donnie Yen, Bruce Lee and Jackie Chan – and eating.
Sandra Ng Kwan-yue, now a respected Hong Kong actress and producer, started out playing minor, unattractive roles in the 1980s. But through hard work and humility, she carved a path to success.
The same five titles dominate the nominations in all major categories of the Hong Kong Film Awards 2024. Post film editor Edmund Lee predicts the winners and reflects on who or what actually should win.
Writer and director Sasha Chuk stars in her debut film Fly Me to the Moon, which follows a young immigrant from mainland China as she struggles to live life in Hong Kong.
Hong Kong actor and director Wu Ma had a prolific career in front of and behind the camera. His best film, The Dead and the Deadly, showed the formula for success.
The big mystery about this suspense drama is how a film with such a promising scenario – a star-crossed romance, identity swap and cold-blooded murder – can turn out so dull, nonsensical and awful.
The first two Ip Man movies, directed by Wilson Yip, use old-school kung fu, nationalism and fabrications to make the eponymous martial artist, and the actor who plays him, Donnie Yen, household names.
Sarah Morris presents ETC, a film on the outdated tech featuring Josie Ho, while Tsai Ming-liang’s The Monk from Tang Dynasty stars Lee Kang-sheng
Nicholas Tse, the son of actor Patrick Tse Yin and actress Deborah Lee, has not just had a successful singing and acting career, he also founded a restaurant chain and a post-production company.
A heist movie that looks like it was dreamed up by a five-year-old, We 12, starring all the members of Cantopop boy band Mirror, is witless, lifeless and above all dull. For true fans only.
At the start of his career, Asian-American director Wayne Wang worked in his native Hong Kong and the United States, growing as a filmmaker, before shooting his first big hit, The Joy Luck Club.
Three hidden gems of Hong Kong action cinema, To’s judo film Throw Down, Lau’s kung fu comedy and Lam’s relationship drama within a crime story should be on the radar of any serious fan of the action genre.
Sandy Lam began life as a 1980s teen idol and released what is seen as the first Cantopop concept record. Known for her powerful voice and avant-garde songs, she has come back from hiatus time and again.
The meaning of home and family when one is kept apart from them by a pandemic is a big theme of Tsang Tsui-shan’s film about once-a-decade festivities in rural Hong Kong for which emigrants cannot return.
We Are Family, Hong Kong comic Eric Tsang’s film about rent-a-families, starts off as a farcical showbiz satire before taking viewers on an emotional roller coaster, and ends as a poignant tear-jerker.
Two crime films Johnnie To shot in the early 2000s changed the game for the genre in Hong Kong – 2003’s PTU, starring Lam Suet and Simon Yam, and 2004’s Breaking News with Richie Jen and Nick Cheung.
