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Former director of the Boston Symphony Orchestra Seiji Ozawa conducts during a rehearsal on November 26, 2008. Photo: AP

Japan’s trailblazing conductor Seiji Ozawa dies from heart failure at 88

  • Ozawa had two loves – piano and rugby – but a sporting accident led him on the path of conducting
  • He led the Boston Symphony Orchestra for 29 years and received multiple accolades across his career, including an honorary doctorate from Harvard
Japan

Seiji Ozawa, the iconic Japanese conductor known for his work with the Boston Symphony Orchestra and other world-famous ensembles, died on Tuesday due to heart failure at his home in Tokyo, his management office said on Friday. He was 88.

A trailblazer of Japanese conductors active on the world stage, Ozawa in recent years had suffered a series of health problems that forced him to cancel some of his concert and music festival appearances.

In his teens, the future maestro seemed destined for a career as a pianist. But he also had another passion – rugby – which his piano teacher mother banned him from playing.

Naturally, he defied her, and one day he broke his two index fingers in a ruck during a game, abruptly ending all hope of ever becoming a concert pianist.

Japanese conductor Seiji Ozawa acknowledges the audience during an opera concert in Beijing in October 2002. Photo: Kyodo

It was only then that the idea of conducting was floated.

Barack Obama would years later gently chide the diminutive conductor for his costly act of rebellion.

“Now I have to say, looking at you Seiji, I’m not sure that was a good idea” taking part in that rugby match, said the US President at the time. “But fortunately, for the rest of us, it opened up the door to a career as a conductor.”

Broken fingers were not the only obstacle Ozawa had to a musical career.

He would later sum up his childhood as: “No money, my house.”

Japanese conductor Seiji Ozawa leads the Saito Kinen Orchestra on December 14, 2010 at Carnegie Hall in New York. Photo: AFP

Born to Japanese parents in northern China, which was then occupied by Imperial Japan, his family fled back to Tokyo as defeat during World War II loomed in 1944.

Although his father was a dentist, there was little cash to spare, and Ozawa paid for his lessons by mowing his teacher’s lawn.

After the life-changing rugby accident in 1950, it was his piano teacher who suggested the 15-year-old try conducting, an unknown world to Ozawa at the time.

But after seeing his first orchestral concert – Beethoven’s Piano Concerto No. 5, he later recalled with typical precision – he was hooked.

Boston Symphony Orchestra conductor Seiji Ozawa conducts Mendelssohn’s Opus 21 on October 2, 2001. Photo: Reuters

And Ozawa quickly shone.

In 1959, he won first prize at an international competition for young conductors in Besancon, France.

After studying under Austrian conductor Herbert von Karajan in Germany, his musical talent caught the attention of US conductor Leonard Bernstein. This paved the way for him to become assistant conductor at the New York Philharmonic in 1961.

In 1973, Ozawa was installed as the music director of the Boston Symphony Orchestra and served 29 years there, a tenure rare in length. He also served as musical director of the Vienna State Opera from 2002 to 2010.

In Japan, he founded the Saito Kinen Orchestra in the 1980s as a tribute to his teacher Hideo Saito, and it has regularly performed at the annual music festival held in Matsumoto, Nagano Prefecture, in central Japan.

He also held positions such as the conductor laureate of the New Japan Philharmonic orchestra.

Japanese maestro Seiji Ozawa plays the piano during an interview at the French ambassador’s official residence in Tokyo on 8 April 2013. Photo: AFP

Ozawa received an honorary doctorate from Harvard University, and was keen to educate musicians of the next generation. In 2004, the maestro set up the Seiji Ozawa International Academy Switzerland in Geneva where he taught young musicians for free.

In 2016, he won the Grammy Award for Best Opera Recording for a performance he conducted of Ravel’s “L’Enfant et Les Sortileges” (“The Child and the Spells”) by the Saito Kinen Orchestra at its 2013 festival.

His work even reached outer space, when he conducted the Saito Kinen Orchestra (SKO) to deliver Beethoven’s “Egmont” Overture to astronaut Koichi Wakata on the International Space Station n 2022.

Additional reporting by dpa

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