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What to catch during Art Basel Hong Kong 2024: from the fair’s Insights and Kabinett thematic presentations, to large-scale Encounters installations and Yang Fudong’s Sparrow on the Sea on M+ Facade

In 2024, Art Basel Hong Kong’s Insights sector features “exceptional historical material”, Encounters includes an off-site installation at Pacific Place by Australian artist Daniel Boyd, Kabinett has more galleries than ever before – and then there is Yang Fudong’s Sparrow on the Sea on the M+ Facade. Photo: Handout

Now an established event on the regional art calendar, this year’s Art Basel Hong Kong sees the scale of the show return to pre-pandemic levels. An additional 65 exhibitors are participating in the fair compared with last year, with 242 galleries from 40 countries and territories set to display a thrilling diversity of art sure to please, confound and provoke debate in equal measure.

Angelle Siyang-Le, director of Art Basel Hong Kong, said that while 2023 was a year of “reopening”, 2024 is all about “reconnecting”. That reconnection is particularly regionally focused. While the show has fairs in Basel, Miami Beach and Paris as well as Hong Kong, each show is unique, defined by its host city and region.
Art Basel Hong Kong 2024 is showcasing 242 galleries, a 37 per cent increase on the 2023 show (pictured). Photo: Elson Li
In Basel, more than half of exhibitors have spaces in Europe, while in Miami Beach, more than half have a presence in the Americas. In Hong Kong, more than two-thirds of participating galleries have exhibition spaces across Asia-Pacific, while Hong Kong itself will be strongly represented, with 29 home-grown galleries.

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The Art Basel and UBS “Global Art Market Report 2024”, a macroeconomic analysis of the state of the global market written independently by cultural economist Dr Clare McAndrew, found that China has returned to being the second-largest art market globally, with its share rising to 19 per cent, overtaking the UK.

Angelle Siyang-Le, director, Art Basel Hong Kong. Photo: Handout

Sales in China bucked the decline of the past three years, increasing by 9 per cent to an estimated US$12.2 billion. As the country reopened in January 2023, there was a surge of activity in the art market in the first six months of the year, with postponed auction inventories sold to enthusiastic post-lockdown buyers.

“Although 2023 was a challenging year for growth in the art market, at the end of the year and looking forward to 2024, most of the businesses operating in it are optimistic for at least a stable year ahead,” said Siyang-Le, who also stressed that the fair is committed to showcasing exceptional art from across Asia-Pacific.

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But as well as ensuring regional galleries are represented, Art Basel Hong Kong also has curated sections that are unique to this year’s Hong Kong fair, such as Insights.

“Here, galleries propose thematic presentations by one or two artists on the most important developments from the art scene in Asia over the last 100 years, including exceptional historical material and strong thematic exhibitions,” Siyang-Le said.

Yang Fudong’s Sparrow on the Sea is being shown on the M+ Facade during Art Basel and through June 9. Photo: Handout
Encounters, another curated section, this time dedicated to large-scale projects, comprises 16 artworks, 11 of which were made especially for Hong Kong. This year’s off-site installation at Pacific Place is by celebrated Australian artist Daniel Boyd.

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Column (Purple Grid) by Maryn Varbanov, from Bank (Shanghai). Photo: Handout

Kabinett, which is comprised of thematic presentations within participating galleries’ booths, will feature 33 galleries – the highest number in the fair’s history – with a strong emphasis on historical and contemporary solo presentations from Asia.

Stairways to Heaven (2024) by Tsherin Sherpa, from Rossi & Rossi. Photo: Handout

Free to the public, the Conversations and Film programmes take place in a dedicated auditorium at the Hong Kong Convention and Exhibition Centre, while a site-specific “architectural film” called Sparrow on the Sea by artist and filmmaker Yang Fudong will be projected on the M+ Facade. Siyang-Le noted that the art community in Hong Kong has grown exponentially over the last decade, with new galleries opening and existing galleries expanding.

Contingent Spheres (2020/2022) by Haegue Yang, from Kukje Gallery, kurimanzutto and Galerie Chantal Crousel. Photo: Handout

“With Hong Kong’s unrivalled position in the region, I firmly believe that the art scene will continue to flourish throughout Asia, extending beyond the city itself,” she said. “As this growth unfolds, my aspiration is to witness local artists gaining greater prominence on international platforms and having increased opportunities to showcase their work globally,” she continued. “I would like to see more collaborations between different sectors in the art community – for example, non-profit with the commercial sector.”

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Moon and Chrysalis 01 (2017) by Junko Oki, from Kosaku Kanechika. Photo: Handout

Having said that, and while the market in the region has demonstrated great resilience, “Hong Kong remains the pre-eminent hub for the art trade in Asia, bolstered by the significant investments galleries and auction houses continue to make in their spaces and business operations within the city,” said Siyang-Le.

“We maintain a positive outlook towards the future development of the Hong Kong and Asia markets.”

Art Basel
  • Insights features ‘exceptional historical material’, Encounters includes an off-site installation at Pacific Place by Daniel Boyd, while Kabinett has more galleries than ever before
  • Director Angelle Siyang-Le says that 2024 is all about ‘reconnecting’, and that most businesses operating in the art market are ‘optimistic for at least a stable year ahead’