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Joost Schokkenbroek, the Dutch director of the Hong Kong Maritime Museum at Pier 8 in Central.

Profile | Hong Kong Maritime Museum’s Dutch director on how a boy who grew up far from the sea came to devote his life to the history of seafaring

  • Though he grew up a long way inland, Joost Schokkenbroek has spent his career as a maritime historian in his native Netherlands, North America and now Hong Kong
  • He tells Thomas Bird about the Hong Kong museum’s ‘third chapter’ – adding marine science to its existing focus on history and art – and exploring the city
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I was born in 1961 in Nijmegen, in the Netherlands, a wonderful city of 165,000 inhabitants located near the German border and probably as far away from the coast as you can get. It’s not a natural place to nurture a maritime historian but it’s one of the oldest cities in the country and is located with two major rivers close by, the Waal and the Maas.

So I guess you could say the focus of the waterways and the history of the place oriented me towards an interest in the sea to come.

Made in Hong Kong

I have mostly fond memories of growing up. It was an optimistic time in the Netherlands as the country was rebuilding after the destruction of World War II. In the mid-1960s my parents moved to a new home where there were some ponds close by and you could find interesting creatures like salamanders.

Unlike kids today, with their digital games, I played with toys, wooden blocks for building, that kind of thing. Many of these toys said “Made in Hong Kong” on the box. The name invoked a mysterious, distant place. It wasn’t Amsterdam or London. It sounded very strange but also fascinating.

Now, of course, I know the city emerged from World War II to become a manufacturing powerhouse.

Nijmegen is about as far as you can get from the sea in the Netherlands. Photo: Shutterstock

Ship shaped

Home life was really stimulating. My mother, Anke, loved literature and music. My dad, Johan, loved painting. Looking back it was his influence more than any that shaped my outlook. He was the one who really got me interested in museums, and the stories behind artefacts, paintings, collections or whatever.

He also loved the sea. He loved ships. He loved sailors and the stories of the sea. So during the summertime, we would go to coastal areas of France, England or Italy. And he would get out the sketchbook and start drawing ships and harbour scenes. I was always fascinated by his interest in ships and shipping. We spoke a great deal about it.

Well schooled

I believe I went to one of the best secondary schools in the Netherlands, the Murmellius Gymnasium, in Alkmaar, which was named after Johannes Murmellius, who was a friend of (the philosopher) Erasmus and taught there between 1513 and 1517. We had absolutely wonderful teachers. That said, I was a bit of a teenage rebel and I didn’t always get the best exam results.

Many wonder why I stayed so long in one place. Well … it’s fabulous place to work, and must rank in the top three maritime museums in the world
Joost Schokkenbroek on his 26 years at the Dutch National Maritime Museum

For a while I toyed with the idea of becoming a Dutch marine, travelling the world and having adventures. But my application was unsuccessful, so after my compulsory military service, I enrolled at Leiden University. I briefly considered majoring in English, a language I had a keen interest in, with all its rich meanings and subtleness. But I elected my other passion, history.

It was in my second year that I sat in on a course related to the Dutch East India Company. I heard about life at sea and I thought to myself, “Hang on, this is social history, it’s economic history, it’s cultural anthropology and it’s about languages.” I wondered how those seafarers communicated aboard ships when many came from Germany, England or France. And how could they possibly communicate when they arrived in China or Indonesia after months at sea.

I was burning with questions and I thought, “This is going to be something that I want to study for the rest of my life.” Forty years later, this has proved to be the case.

Whaling time

Sometimes there are moments that change the trajectory of your life’s journey. One came to me in 1987, when I was an assistant to the professor of maritime history while researching the role of the Dutch in fighting the Spanish Armada for my master’s thesis.

One day he received a phone call from a lady from the United States. She was in the national archives in The Hague and needed someone to help her do some research. My professor asked me to go along. She turned out to be the wife of the director of the Kendall Whaling Museum, in Sharon, Massachusetts, a small town close to Boston. We developed a good relationship and this led to me getting an offer of an internship at the museum.

I went to the US in 1988. The museum turned out to be a fantastic place, located in a former hospital in the middle of a forest. It housed a huge collection of whaling memorabilia that had been amassed by the Kendall family, which had grown rich during the second world war selling bandages.

I ended up becoming the museum librarian and curator, and staying for three years. I love New England, it’s a lovely, liberal part of America. I have been back many times since to visit friends.

Het Scheepvaartmuseum, the National Maritime Museum, in Amsterdam. Photo: Getty Images

The Amsterdam years

In 1991, I returned to the Netherlands, where I began working at the Het Scheepvaartmuseum, the Dutch National Maritime Museum, as curator for material culture. It remained my home for the next 26 years and I eventually became chief curator.

Many wonder why I stayed so long in one place. Well, I would say it’s simply a fabulous place to work, and must rank in the top three maritime museums in the world. It houses half a million artefacts – absolutely splendid, beautiful stuff that tells gripping stories. It takes a long time to familiarise oneself with all the collections.

Confronting the past

I began a parallel career as an academic in 2008 after completing a PhD I’d been working on from 2004 to 2008. My research concerned 19th century Dutch whaling. This remains a controversial topic.

From an academic perspective this period had not been well documented and therefore it was quite a good topic to study because there was lots of research material as well as lots of questions to address. But I’ve always tried to reconcile my academic pursuits with the ethical side of things. Nowadays, whaling is, of course, abhorrent and it is totally unnecessary.

A painting by Lieve Verschuier depicts Dutch whaling ships. Photo: Sepia Times/Universal Images Group via Getty Images

Like many other countries, we Dutch played a role in the decimation of many species so we should also play a very important role in trying to repair what has been done and confronting our past is one way to approach this.

Expanding horizons

In 2017, I was offered the position of executive director of the Vancouver Maritime Museum. Feeling in need of change, I took the job, leaving my family behind in the Netherlands. I later joined Simon Fraser University in Vancouver as adjunct professor.

British Columbia is one of the most beautiful places on Earth, a fantastic province where you can do great hiking and coastal exploration. The museum is located in a lovely spot, although it’s a bit off the beaten track so we had to work hard to bring people there.

The flag of British Columbia flies over the Vancouver Maritime Museum. Photo: Wolfgang Kaehler/LightRocket via Getty Images

I had been there over three years and, with my wife Josje’s consent, was planning to stay another two when I started talking to the chairman of the board at the Hong Kong Maritime Museum. I naively thought they were looking for me to recommend someone for the role of museum director until the job was offered to me.

At first I declined but several phone calls later I started to warm to the idea. Hong Kong was presented to me as a place where you can really think about how to explore new areas and expand horizons.

The Fragrant Harbour

When I said yes to the job I’d never been to the Hong Kong Maritime Museum before, although my wife had. After three lonely weeks in quarantine, I arrived at Pier 8 and I must say I was happily surprised by the beauty of the displays, the international character of the collection and the spirit of the staff.

Also, what a location for a museum – right on the waterfront! We have a museum cafe, a museum shop – there are various ways to create revenue streams. It made a great first impression. That was a year ago. Despite closing periodically due to the pandemic it’s been a busy first year and I’m proud to say we’re expanding, even taking on staff. And we’re building, too, something we’re calling our third chapter.

The Hong Kong Maritime Museum has a prime location on Victoria Harbour.

The first chapter was moving into Murray House, in Stanley, the second was moving to our present location and the third will be the Swire Marine Discovery Centre, where we will develop exhibitions and educational programmes on marine-science-related topics, next to our continued focus on history and art.

Lucky man

I’m one of those people that you tend to find in the office after hours but recently I’ve started to get out more. I went with two friends to Pyramid Hill hiking, which was fantastic. I’ve realised I should do this more often as Hong Kong has some incredible islands and rural areas.

I think one of the things holding me back is that my wife and family are still in the Netherlands. I met my wife around the time I moved to New England and she’s an amazing woman, a great listener who always seems to know better than me. She’s coming to visit soon and I can’t wait to show her around this incredible city.

In the meantime, I do feel that I’m a lucky man. My apartment overlooks Victoria Harbour. Now that’s not bad for a Dutch boy who grew up many miles from the sea.

The Hong Kong Maritime Museum is scheduled to reopen on April 24, initially only on Sundays due to the construction work of the discovery centre.

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